Old and new friends.
If you haven’t picked up any of Peter Heller’s novels,* you are missing out on some excellent fiction writing.
I have a review of his latest (The River) at the Englewood Review of Books [link].
*The Dog Stars, 2012; The Painter 2014; Celine, 2017; The River, 2019.
I am re-reading one of my old favorites, Reamde, by Neal Stephenson () [amazon], because I heard the other day that Stephenson was writing a sequel. I understand perfectly well that either Cryptonomicon (1999) [amazon], or The Diamond Age (1995) [amazon], or even Snow Crash (1992) [amazon] is a cooler favorite,* and indeed I love all three of those, but as I am reading Reamde for the third time, I realize that because of the excellent dialogue and complex, multifaceted narrative, combined with Stephenson’s normal dry comedy and dizzying excursions into technical detail, this is really my favorite.
In any case, Stephenson has written a sequel of sorts Fall; or, Dodge in Hell which is coming out on June 4, 2019 [amazon]. He also has a novella, Atmosphæra Incognita which sounds like a re-telling of the Tower of Babel being released on July 31, 2019 [amazon].
In a similar vein, I just received a review copy of The River (2019) by Peter Heller [amazon], which I hope will be as entertaining as The Painter (2015) [amazon] or The Dog Stars (2013) [amazon]. I also have the newest Adam Roberts The Black Prince (2018, adaptation of a script by Anthony Burgess) [amazon] on the shelf beside my bed.
With William Gibson still on track to publish Agency (a sequel to The Peripheral) in September 2019 (though the date keeps on being moved) [amazon], I now have new work by a number of my favorites. I am still waiting on Neil Gaiman, Emily St. John Mandel, David Mitchell, and Donna Tartt.
*seveneves (2015) is also very good, while Anathem (2008), The Mongoliad (2010–2012) and The Rise and Fall of D.O.D.O. (2017, with Nicole Galland) are also entertaining. I could never quite mesh with The Baroque Cycle (2003-2004).
This was a full year of reading for me, 38 volumes of (more-or-less straight) fiction, another 28 science fiction novels, and 28 volumes of non-fiction. Some could slide from one category to another, I suppose (is Neil Gaiman’s Norse Mythology science fiction?).
I read three books by Adam Roberts (The Real-Town Murders, Bethany, Jack Glass); three by C.S. Lewis, The Great Divorce, The Abolition of Man, The Weight of Glory); three by Neil Gaiman (Norse Mythology, The View from the Cheap Seats, and with Terry Pratchett, Good Omens); three by Peter Heller (The Dog Stars, Hell or High Water, Celine), and four by William Gibson (The Peripheral, Virtual Light, Idoru, All Tomorrow’s Parties).
The best new finds in fiction I read this year included Peter Heller, The Dog Stars (The Last 1956 Cessna 182); Adam Roberts, The Real-Town Murders, (R!-town) and Jhumpa Lahiri, Interpreter of Maladies (a marvelous series of short stories).
Two excellent new non-fiction offerings were Michael Lewis, The Undoing Project and Philip Allen Green, Trauma Room Two.
I think that Martin Luther King, The Autobiography of Martin Luther King, and Hannah Arendt, Eichmann in Jerusalem should be required reading, but I had read neither of them before 2017 (see Jerusalem and Birmingham).
In 2018, I am hoping for some new fiction from Donna Tartt and Neil Gaiman (no novels since 2013); William Gibson, Emily St. John Mandel and Stephen Carter (no novels since 2014); and Mary Doria Russell and David Mitchell (no novels since 2015).* Indeed I have Agency, Gibson’s next, on pre-order from Amazon.
But there are lots of great books out there already.
*David Mitchell wrote From Me Flows What You Call Time, but that won’t be published until 2116, so I need something in the interim, I think.
Just finished Peter Heller,The Dog Stars (2012) which was a very enjoyable apocalyptic novel in the tradition of The Stand, Alas, Babylon, The Road, Station Eleven, or I Am Legend. The novel is written entirely in internal monologue (not always grammatical, sometimes profane), which is a little confusing at first, but ultimately very satisfying.