Silence & Beauty

9780830844593-194x300I am very much looking forward to reading  Makoto Fujimura‘s Silence and Beauty, which is described as using Shusako Endo’s Silence as a starting place for consideration of issues of suffering and faith.  Fujimura is a painter of great power and a believer.  I taught Endo’s book several times in my World Lit class.

I will let you know.

Rembrandt at sea

MatthewWhen Rembrandt painted, he (more than occasionally) placed himself in the picture as a literal witness to the events.*  When I was studying for Matthew class, I noticed that Rembrandt placed himself in “Christ in the Storm” (Rembrandt is in the pink beret, holding a rope, looking out at us):

1.  Rembrandt, “Christ in the Storm” (1632) (stolen from Isabella Stewart Gardner Museum, 1990) (1):

Rembrandt_Christ_in_the_Storm_on_the_Lake_of_Galilee detail detail 2

The nose is a dead giveaway!

2.  Rembrandt, Self portrait (1629) (private collection) (2)


3.  Rembrandt, Self portrait (1630) (Stockholm, Nationalmuseum) (3)


4.  Rembrandt, Self portrait (1630) (4)


*For me, it was Francis Schaeffer who first pointed this out in How Should We Then Live? (1976): “Rembrandt had flaws in his life . . . but he was a true Christian; he believed in the death of Christ for him personally.  In 1633 he painted the Raising of the Cross . . . .  A man in a blue painter’s beret raises Christ upon the cross.  That man is Rembrandt himself — a self-portrait.  He thus stated for all the world to see that his sins had sent Christ to the cross.”