Silence & Beauty

9780830844593-194x300I am very much looking forward to reading  Makoto Fujimura‘s Silence and Beauty, which is described as using Shusako Endo’s Silence as a starting place for consideration of issues of suffering and faith.  Fujimura is a painter of great power and a believer.  I taught Endo’s book several times in my World Lit class.

I will let you know.

Between Mr. Coates and me

50c0c9d1dLast week I read Ta-Nehisi Coates, Between the World and Me (2015). Actually, I listened to it, and found it a powerfully unsettling book.

I had no knowledge of Mr. Coates and no preconception about the book except that in some sense it was about race. The book is (sort of) a long letter to his son about what it is like to be a black man in America. (“Black people love their children with a kind of obsession. You are all we have, and you come to us endangered.”)

I say “sort of” because you have to put aside even that vague description very quickly. Mr. Coates would remind us that in any society there are those whose aspirations to achieve “the dream” will necessarily involve putting some people — identified by color, ethnicity, gender, language or some other characteristic — at the bottom of the well. I think he would say that in 2016 in America that characteristic is still often race.

Mr. Coates tells his son stories about his experiences and about those of his friends and acquaintances.  Some are touching and some are extraordinarily upsetting. No one could listen to his account of the death of Prince Jones without horror, shame and outrage.

One of the recurring themes is that the fragility of “the black body”:

We could not get out. The ground we walked was trip-wired. The air we breathed was toxic. The water stunted our growth. We could not get out. A year after I watched the boy with the small eyes pull out a gun, my father beat me for letting another boy steal from me. Two years later, he beat me for threatening my ninth-grade teacher. Not being violent enough could cost me my body. Being too violent could cost me my body. We could not get out.

It is not necessary that you believe that the officer who choked Eric Garner set out that day to destroy a body. All you need to understand is that the officer carries with him the power of the American state and the weight of an American legacy, and they necessitate that of the bodies destroyed every year, some wild and disproportionate number of them will be black.

But you are a black boy, and you must be responsible for your body in a way that other boys cannot know.

I am convinced that Mr. Coates is telling me truths I need to hear.  I am not sure that Mr. Coates tells me what any white American can do to ameliorate the evils he describes. It is better to hear truth than to block it out, of course, but that is not enough.

What is enough?

Mr. Coates declines to believe in any otherworldly justice, though he seems to concede that there have been times when the church has been one of the few refuges for the black body. As I listened to him in the midst of Passion Week, though, I thought that Jesus, certainly, voluntarily offered his body to be destroyed by the system of the world as a sacrifice for all of us.

This is not a “good read,” or an “interesting study.”  It seems to me to be an important book that has challenged my assumptions and beliefs.  I hope and pray that I will allow it to change the way I act and live, and that God will help me to understand what is enough.

 

 

Cloud Atlas

David Mitchell, it seems to me, has a gift for conjuring a story-illusion, seducing the reader into the narrative, and then dropping the reader out of the dream abruptly.  I find myself initially frustrated (” . . . but I wanted to know what was going to happen to that character!  I liked her and I want to . . . .”).  Then within 2-3 pages, he has drawn me into the next dream.  He is very, very skilled at this.

Cloud Atlas (2004) wraps back on itself in a chiastic structure which is fun to sketch:

Cloud Atlas

The structures of Ghostwritten, The Bone Clocks, and Slade House are unique, but Mitchell displays his maddening, enthralling, wonderful gift in each of them.

Thank you, Mr. Mitchell.

Neil Gaiman, Trigger Warning

Trigger-WarningI just finished Neil Gaiman’s Trigger Warning: Short Fictions and Disturbances (2015), and although I am not usually a fan of short fiction, I was intrigued to read a Gaiman Sherlock Holmes story (“A Case of Death and Honey”), a Gaiman Dr. Who story (“Nothing O’Clock”) and (best of all!) a new Shadow story (“Black Dog”).

Shadow is the main character in American Gods (2001), so it was good to remember that very original book a decade and a half later. Anansi Boys (2005) was the sequel and both were great fun, though Neverwhere (1996) is still my favorite Gaiman novel.

As usual with Gaiman, there is much to populate your dreams or nightmares (note the subtitle), so caveat lector.

Reflection on a Year’s Reading

One nice thing about this site is that it gives me a place to keep track of the books I am reading. It has allowed me to be a little more introspective about what I read. (I seem to require a couple of books a week to maintain my sanity.) About a third of my reading is re-reading, which makes sense to me, anyhow. Wouldn’t you want to go back and visit old friends in addition to meeting new ones?*

station elevenMy favorite newly-discovered author of the last year is probably Emily St. John Mandel. I read Station Eleven, then picked up Last Night in Montreal, and The Lola Quartet, and enjoyed all three. Yes, they are quirky and have some repetitive elements, but I liked Ms. Mandel’s writing and will continue to follow her.

indexThe best new** fiction I read this year includes (in no particular order) Andy Weir, The Martian (2014), Stephen L. Carter, Back Channel (2014), Emily St. John Mandel, Station Eleven (2014), William Gibson, The Peripheral (2014), Anthony Doerr, All the Light We Cannot See (2014), David Mitchell, The Bone Clocks (2014), and Neal Stephenson, seveneves (2015).  All were well-crafted and enjoyable, but I will let you look elsewhere for reviews.  I usually pre-order anything by Gibson, Carter and Stevenson, and will probably add Mandel and Weir to that list.

51Qm5bXG9NL._SY344_BO1,204,203,200_I read two excellent new** nonfiction books: Margaret Lazarus Dean, Leaving Orbit (2015); and Jeff Smith, Mr. Smith Goes to Prison (2015). Mr. Smith was the most horrifying book I read recently,*** as it was an account of a politician who was sent to prison for a year for lying about a fairly minor campaign violation.

Rickey&RobinsonEric Metaxas’ Miracles (2014) was strikingly different from C.S. Lewis’ book of the same name. Tim Keller’s Every Good Endeavor (2014) was an encouragement about the significance of work.  Roger Kahn’s Rickey and Robinson (2014) was a great story about baseball and society by someone who lived through those important years when baseball was being integrated.

And how did I miss this one when it first came out: Cheryl Strayed, Wild (2012), a fascinating account of a troubled woman who walks the Pacific Crest Trail? Rick Atkinson’s The Guns at Last Light (2013) (last part of WWII in Europe) was well worth the 900-page investment.

Caveat Lector.  It should go without saying that some of these will be uninteresting, unedifying, or even upsetting for some readers.  What I think I can assure you is that none of these books are poorly written.   Let me know if you have any thoughts about these or others on my sidebar.

*My favorite old friend this year was probably Mary Doria Russell, The Sparrow (1996), though I did love (again) the Sword of Honor Trilogy, Pattern Recognition, LoTR, and That Hideous Strength.

**Published since January 2014.

***This is saying a lot since I also read Michael Faber, Under the Skin (2000) and Margaret Atwood, The Handmaid’s Tale (1998), two astoundingly creepy books.

Uneasy reader

gardnerThus the value of great fiction, we begin to suspect, is not just that it entertains us or distracts us from our troubles, not just that it broadens our knowledge of people and places, but also that it helps us know what we believe, reinforces those qualities that are noblest in us, leads us to feel uneasy about our faults and limitations.

John Gardner, The Art of Fiction 31 (1983).

Of course Gardner does not hold this thought without reservation (notice the “we begin to suspect”), but he reasonably prompts us to add this to our internal lists of what fiction is for.  I had forgotten how enjoyable this book is.

Leaving Orbit

Leaving Orbit

“Only when an era ends do you get to figure out what it means.”  Margaret Lazerus Dean, Leaving Orbit: Notes from the Last Days of American Spaceflight 69 (2015).

An enjoyable read, covering the end of the shuttle era of American Spaceflight.  I wish this book had been out when I was teaching my Beyond Fiction class, because it would have formed a perfect inclusio with Tom Wolfe’s The Right Stuff.  MLD has a comfortable competence as a writer and observer, so it is as though the reader is listening to the experiences of a good friend.

A use of fiction

Fiction is, among other things, an aid to reflection: a means by which we can more vividly and rigorously encounter the world and try to make sense of it, to confront “the problems of being” as freshly as we can. But we vary in our interpretative needs: the questions that absorb some of us never occur to others. Each of us has her own labyrinth . Every genre of fiction puts certain questions in brackets, or takes their answers as given, in order to explore others. Not even the greatest of writers can keep all the balls in the air at once: some have to sit still on the ground while the others whirl. People who come to a book by Murakami, or Neal Stephenson, or even Ursula K. LeGuin with the questions they would put to a Marilynne Robinson novel are bound to be disappointed and frustrated. But if we readers attend closely to the kinds of questions a book is asking, the questions it invites from us, then our experience will be more valuable. And the more questions we can put to the books we read — in the most generous and charitable spirit we can manage — the richer becomes our encounter not just with the books themselves but with the world they point to.

Alan Jacobs, Reverting to Type: a Reader’s Story, loc. 561-570 (Kindle ed., 2012).

“Augustine falls apart”

Thomas Cahill says that Augustine, fascinated with Plato’s concept of man seeking Truth, considers Paul’s writings, and is brought to the point of wondering whether humans are capable of seeking and acquiring truth.

Cahill imagines that Augustine must have read Romans 8:29ff (concerning God’s role in salvation) and concluded something like

[I]f we mud-spattered human beings are ever to ascend to Truth, we can do it only because God, a force ineffably greater than our war-torn selves, has predestined us and calls us upward.  We will never make it under our own steam.

Having made this connection, Augustine falls apart.

Thomas Cahill, How the Irish Saved Civilization 56 (1995).