Old & new

current reading 2This poor author proves that fact-checking old language (what would you guess “death recorded” means?) is really pretty critical. Yelena Dzhanova, “Here’s an Actual Nightmare: Naomi Wolf Learning On-Air That Her Book Is Wrong,” New York: Intelligencer” (May 2019) [link]. Alan Jacobs comments with compassion and a very appropriate pair of C.S. Lewis references. Alan Jacobs, “death recorded,” Snakes and Ladders (May 24, 2019) [link].

Matthew Butterick, “Typography 2020: A special listicle for America,” Practical Typography [link] delightfully describes the font choices and errors of the 2020 candidates (comparing them to those of the past):

small quotesFor those who think it trivializes our political process to judge candidates by their typography—what would you prefer we scrutinize? Qualifications? Ground into dust during the last election. Issues? Be my guest. Whether a candidate will ever fulfill a certain campaign promise about a certain issue is conjectural.

But typography—that’s a real decision candidates have to make today, with real money and real consequences. And if I can’t trust you to pick some reasonable fonts and colors, then why should I trust you with the nuclear codes?

Alan Jacobs, “choice”, Snakes and Ladders (Feb. 9, 2018) [link]:

small quotesYou can’t understand the place and time you’re in by immersion; the opposite’s true. You have to step out and away and back and forward, through books and art and music, and you have to do it regularly. Then you come back to the Here and Now, and say: Ah. That’s how it is.

But maybe 2% of the people you encounter will do this. The other 98% are wholly creatures of this particular intersection in spacetime, and can’t be made to care about anything else.

You can, then, have understanding or attention. Pick.

Side reading

ScreenShot164The Oscars and beer, not my usual interests . . .

Benjamin Bannister, “Why Typography Matters — Especially At The Oscars,” Life from a Different Perspective (through Medium) (Feb. 27, 2017) [link].  This is exactly right, and should be the final word on this silly (though amusing) story.

Sam Riches, “The Story of Heady Topper, America’s Most Loved Craft Beer,” Food & Wine Magazine (via Longreads) (March 2017) [link].  Nicely written article about how disaster can be liberating (not that we are going to go searching for disaster).