Syllabi

A couple of syllabi* from two well-known instructors.

From 1941:

Auden-1941 Syllabus

From 1994:

Wallace_Syllabus_001_large

More discussion at Dan Piepenbring, “W. H. Auden’s Potent Syllabus, and Other News” The Paris Review (Jan. 29, 2015) [link]; “W.H. Auden’s 1941 Literature Syllabus Asks Students to Read 32 Great Works, Covering 6000 Pages,” Open Culture (Feb. 28, 2013) [link]; Alan Jacobs, “Auden’s Syllabus,” Snakes and Ladders (Oct. 1, 2012) [link]; and “David Foster Wallace’s 1994 Syllabus: How to Teach Serious Literature with Lightweight Books,” Open Culture (Feb. 25, 2013) [link].

I particularly enjoy Wallace’s caution to his students not to think “this will be a blow-off-type class.” Auden does not seem to think any of his students will make that mistake.

*Apparently not with two “i”s.

It’s not all clickbait . . .

current reading 2small quotes blueThe less you know about a person, the easier it is to venerate them, which is why you generally don’t want your children writing your biography. My favorite parts of biographies are not the quotes from the person being written about, but rather from those who knew them well — or — too well.

Josh Retterer, “Stories Told Behind Auden’s Back,” Mockingbird (Oct. 24, 2018) [link].

It is also true that the less you know about a person the easier it is to demonize them, which probably goes for everyone we read about in the “news.”


Sarah Willard, “The Pilgrim Soul,” Blind Mule Blog (Oct. 17, 2018) [link] writes about dementia and memory:

small quotes blueIt can be very hard when someone you love is losing their memory, not to lose yours too. It’s easy to only see who they are in the moment, and not who they are really, which includes who they have been and who they will be.

One anodyne for dementia is the shared memory of the ones who give care.


Gavriel Rosenfeld, “How Americans Described Evil before Hitler,” The Atlantic (Oct. 9, 2018) [link], raises the interesting question “Who was evil incarnate before Hitler?” and suggests some history lessons germane to our current discourse:

small quotes blueOur present moment is a tricky one: Some commentators feel more justified than ever in invoking Hitler, yet many feel a bit numb to the comparison. The solution, it seems to me, is not to ban comparisons to the Nazis—as if such a thing were possible—but to grant that analogies have always been a tendentious business, and that only the future can tell which ones were valid. Commentators should proceed with a little more humility, a little more circumspection, and, perhaps, a little more creativity.


From Søren Kierkegaard, via Alan Jacobs:

small quotes blueThe Bible is very easy to understand. But we Christians are a bunch of scheming swindlers. We pretend to be unable to understand it because we know very well that the minute we understand we are obliged to act accordingly.

Alan Jacobs, Snakes and Ladders (May 6, 2013) [link].

This is a hyperbole, of course, but I often wonder how much we will eventually be shown that our careful exegesis was really carefully hidden eisegesis.

Changing the Past?

Three quotations on changing the past:

26542105[He] thought, even if it was not true that he was a hero, perhaps it was true that he was not a criminal or a failure.  The possibility existed for him that the past was mutable — that he might have a new truth, a new narrative that was truer than his own tortured memory.  For the first time, he realized how subjective it all was and how the past was not as inviolable as he had come to believe.

Matthew Hefti, A Hard and Heavy Thing 207 (2016).

Now for you and me it may not be that hard to reach our dreams,
But that magic feeling never seems to last.
And while the future’s there for anyone to change, still you know it seems
It would be easier sometimes to change the past.

Jackson Browne, ”Fountain of Sorrow,” Late for the Sky (1974).

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
   All time is unredeemable.

What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.

T.S. Eliot, “Burnt Norton” l. 1-10, Four Quartets (1943).